June 11, 2010

Evil Weevils Cause Havoc In Italy

The palm trees that offer welcome shade along the sun-drenched coasts of Italy are being attacked by voracious bugs.

Up and down the country, tens of thousands of trees are being eaten by an army of red palm weevils. Parks, gardens and seafronts have been targeted in some of Italy’s best-known tourist destinations, including the beach resorts of Tuscany, Sardinia and the Adriatic.

Palms are not indigenous to Italy, but were introduced in the 18th and 19th centuries by wealthy collectors and aristocrats keen to give their estates an exotic look.

It is really a disaster, there are tens of thousands of palms which are dead or dying,” said Valeria Francatti, an entomologist who is researching ways of combating the weevils. “The weevil gets right into the heart of the tree, so by the time the damage becomes apparent on the outside, it’s already too late.”

In Rome, the bug has caused severe damage to the capital’s historic parks, many of them formerly private gardens surrounding sumptuous private villas such as Villa Sciarra and Villa Torlonia.

A scientist in Rome said it was not possible to use chemicals because many palms were planted near beaches or in towns and cities, where insecticides would pose a risk to human health.

Researchers in Sicily have found they can capture the bugs using traps laced with pheromones, but deploying the contraptions is time-consuming and costly.

by Andy Moreton, with Nick Squires in Rome

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May 30, 2008

Pisa Looks For Crowd-Pleaser

Filed under: Italy, Pisa, Tuscany — admin @ 9:43 pm

The first major fresco to be painted in Italy for more than two centuries is starting to take shape in the city of Pisa, famous for its leaning tower.
The 1,700 square ft painting will tell the story of Ranierus, Pisa’s patron saint, in eight huge scenes across an entire wall of the Church of San Vito in the city centre.
The artist is 37-year-old Luca Battini and, in the best Renaissance tradition, he invited 100 prominent Pisans to represent leading figures in the fresco.  He then held public castings to find 150 extras, all of whom will appear life-size in the work.

pisa.jpg
Battini is under no illusions about the size of his three-year task.  “The whole city feels very strongly about St Ranierus and there is huge pressure.  Everyone has an opinion on how the fresco should be painted.”

by Andy Moreton

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